The art of Kevin Blythe Sampson

THE ART OF
KEVIN BLYTHE SAMPSON
Showing posts with label poems. Show all posts
Showing posts with label poems. Show all posts

6/16/09

Kevin Blythe Sampson is so pleased to be Included in this upcoming exhibition……….at the AVAM

The American Visionary Art Museum is located in a historic location in downtown Baltimore at the base of Federal Hill.

800 Key Highway, Baltimore, MD, 21230

AVAM: 
LIFE & LIBERTY,and the Pursuit of Happiness

upcoming “Life, Liberty, and the Pursuit of Happiness” exhibition at the American Visionary Art Museum in Baltimore, which will open

Friday October 2.

Please plan to join us at the museum that evening!

image

. The next exhibition Life, Liberty, and the Pursuit of Happiness, curated by Roger Manley, opens on October 1. The quest for human rights and the search for personal fulfillment, as proposed in the 1776 American Declaration of Independence, provide the starting point the exhibition. Works by the last surviving descendant of the Tsars of Russia, Iroquois Indians, French Revolutionaries, illegal immigrants, Algerian War veterans, Guantánamo Bay detainees, Holocaust survivors, incarcerated prisoners, African-American civil rights activists and Iraqi doctors are among the 50 visionary artists to be featured.

Other Post relevant to the upcoming show

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Film and fantasy

Years ago, young Renaldo Kuhler retreated into an imaginary, illustrated world. Now his private universe — captured in a documentary by Brett Ingram — is ready for visitors.

Ingram, a professor in the Department of Media Studies, became friends with the artist when both were working at the N.C. Museum of Natural Science in 1996. Slowly, Kuhler began showing Ingram intricate drawings and telling him stories of Rocaterrania, a tiny nation of Eastern European immigrants who survived years of revolutions and tyrannical leaders.

Artist Renaldo Kuhler, captured in an image by Brett Ingram. Ingram's feature-length documentary, 'Roccaterrania,' explores Kuhler's artistic world.

Artist Renaldo Kuhler, captured in an image by Brett Ingram. Ingram's feature-length documentary, “Roccaterrania,” explores Kuhler's artistic world.

Somewhere along the way, Ingram realized the ups and downs of Rocaterrania mirrored Kuhler's own life. He knew there was a compelling story to be told.

Twelve years and a Guggenheim later, Ingram has finished his documentary on Kuhler, his life, his work and the ways in which Rocaterrania has been a haven for the illustrator.

The first person to see the film “Rocaterrania” was Kuhler himself. Ingram took a TV and VCR to Kuhler's apartment. “I was sitting on pins and needles. He loved it. He said, ‘Mr. Ingram’ — he's always formal like that — ‘Mr. Ingram, I wouldn't change a thing.’”

Renaldo Kuhler, left, and Brett Ingram

Renaldo Kuhler, left, and Brett Ingram

So far, the film “Rocaterrania” has been screened in eight film festivals — including the Cinequest San Jose Film Festival and the RiverRun International Film Festival — received a positive review in Variety and drawn the attention of The New York Times, which ran an article on Ingram and Kuhler. “The New York Times article has definitely put Renaldo and the film on the map,” Ingram says.

He hopes the film will continue to be shown at prestigious film festivals and eventually find a home with a distributor. And it will be interesting to see what happens with the film as Kuhler's work becomes more known.

Even before the NYT article, Kuhler had made plans to participate in a group show at the American Visionary Art Museum in Baltimore in October curated by Roger Manley. The exhibition is titled “Life, Liberty and the Pursuit of Happiness,” which Ingram finds oddly appropriate. The world of Rocaterrania grew out of Kuhler's lonely childhood with critical parents. When his family left their New York home and bought a cattle ranch in Colorado, Kuhler grew even lonelier and turned to his fantasy world.

His parents made him feel that he was wasting his time drawing Rocaterrania. Now, 60 years later, art dealers are calling him and people all around are interested in seeing his work.

Has all the attention turned his head? “Renaldo is Renaldo,” Ingram says. “He doesn't seem to change. But he is enjoying the validation. He wishes his parents were alive to see this.”

6/14/09

This is a article on my best friend Reynolds ………….Puki Pacifista by the american artist Reynolds in Roma

 

© 2009 art a part of cult(ure)
Aut. Tribunale di Roma

http://www.artapartofculture.org/art-a-part-of-culture/

Puki Pacifista by the american artist Reynolds in Roma | studio.ra | 1Fmediaproject

6 Agosto, 2009 | Di r.losapio
Inserito in: eventi mostre
101 lettori | nessun commento

PUKI PACIFISTA: dal 6 al 14 agosto 2009; opere di Reynolds.

Performance artistica partecipativa: giovedi 6 agosto, alle ore 18, studio.ra | 1Fmediaproject - Roma
Lo Studio.ra presenta Puki Pacifista, opere su carta dell’artista americana Reynolds. I Pukis di Reynolds sono piccoli acquerelli di “guerriglia” che deridono i capolavori di pittura, viaggiando in tutto il mondo. I Pukis glorificano il mondo della cultura celebrando storie scomparse attraverso la visualizzazione di ciò che di solito è nascosto.

I Pukis sono accompagnati da una video-installazione di “Puki Procession“, un progetto in movimento in cui i partecipanti, vestiti in vesti rituali, portano i Dipinti Puki su Banner. A ciò si affiancherà la performance partecipativa in onore dell’antica Goddess, antichità scomparsa in Iraq, e dei riti indigeni che sono minacciati da culture egemoniche. Partendo dallo Studio.ra, i partecipanti percorreranno un breve itineriano del Parco archeologico dell’Appia Antica, nella Valle della Caffarella, fino alla Fonte della Ninfa Egeria: un territorio storico e artistico pieno di richiami allegorici e leggendari.

Reynolds ha studiato pittura con Richard Pousette-Dart al Sarah Lawrence College, e si è laureata con una specializzazione in Women’s History (“Le Donne nella Storia”).
Ha conseguito anche un BFA e un MFA dalla Scuola di Arti Visive.
Ha insegnato per sette anni presso il Guggenheim Museum, attualmente è istruttore in una Galleria-Studio presso il Brooklyn Museum, e in una Family Programs di artisti per la American Folk Art Museum.
Una delle sue più recenti mostre personali è stata “Imagina a Vagina” in Brasile.
Nel 2008, le acqueforti di Reynolds hanno illustrato “Moving Mediators: Ghosts of Interventions Past and Present” al Museum Man in Valparaiso, Cile insieme alle opere di David Medalla e Jill Rock. Al Museo Man, diretto da Adam Nankervis, sono state esposte anche le Puki MOMdonnas in una mostra personale “Il Puki Adventus”, a Liverpool, in Inghilterra. Fra le numerose mostre ricordiamo “Blender”, a cura di Cordy Ryman a Sundaram Tagore Gallery di New York, e “Close to the Edge” una mostra itinerante con Kevin Sampson, che comprendeva il recente arresto di Danny Simmons del Corridoio Galleria nel 2009.
Reynolds ha partecipato ad ogni Biennale di Londra dal 2000, compresa la “Pollinations” a Berlino nel 2003. Nel 2008, le Pukis sfilate “La Pucelle Puki” hanno attraversato Parigi con i partecipanti alla Biennale di Londra per onorare la pace.

Il Puki Parade partirà dalla galleria il 6 Agosto alle ore 18. Condurrà gli spettatori e partecipanti e ritornerà allo Studio.ra per un rinfresco. L’artista ha creato i costumi per coloro che desiderano partecipare. Quanti intendono celebrare la “Puki” (vagina è il significato in lingua filippina) possono portare anche i propri costumi di carnevale, delle feste o delle sagre.
Per ulteriori informazioni contattare Raffaella Losapio a (tel. +39 06 43417800  - +39 3491597571) o l’artista a Reynolds (codice internazionale di linea) - 1 917 328 0386.
Per altri approfondimenti sull’artista, ecco il suo sito web: www.reynoldsnart.com.

studio.ra | 1Fmediaproject

Via Bartolomeo Platina, 1/F - 00179 Roma
Tel. +39 06 43417800  - +39 3491597571; www.studiora.eu info@studiora.eu

xxxxxxxxxxxxxxxxxxxxxxx

PUKI PACIFISTA
August 6-14, 2009
Works by Reynolds

Artist Performance and Reception: Thursday, August 6 th, 6 p.m.18,
studio.ra | 1Fmediaproject - Roma

Studio.ra is pleased to present ‘Puki Pacifista’, by the American artist Reynolds. Reynolds’s ‘Pukis’ are small watercolors on paper that have travelled around the world in transitory ‘guerilla’ installations that mock masterpiece painting.  Pukis glorify world culture by honoring disappeared histories through the display of what is usually hidden. The Pukis are accompanied by a video installation of the ‘Puki Procession’, the ongoing performance project in which the participants, dressed in ritual vestments, carry the Puki paintings on banners. The participatory performance honors the ancient Goddess antiquities lost in Iraq, and indigenous rituals which are threatened by hegemonic cultures. Departing from Studio ra, the performance will march along a route that includes the archeological park of the Appia Antica, the Caffarella Valley and conclude at the source of Ninfa Egeria.

Reynolds studied painting with Richard Pousette-Dart at Sarah Lawrence College, and graduated with a concentration in Women’s History. She also has a BFA and an MFA from School of Visual Arts.  She taught at the Guggenheim Museum for seven years; currently she is a Gallery Studio Instructor at the Brooklyn Museum, and a Family Programs artist for the American Folk Art Museum. Her most recent one- person show was “Imagina a Vagina” in Brazil. In 2008, Reynolds’s etchings were featured in “Moving Mediators: Ghosts of Interventions Past and Present” at Museum Man in Valparaiso, Chile, along with works of David Medalla and Jill Rock. Museum Man, directed by Adam Nankervis, also featured the Puki MOMdonnas in a one- person show “The Puki Adventus”, in Liverpool, England. Group shows include “Blender”, curated by Cordy Ryman at Sundaram Tagore Gallery in NYC, and “Close to the Edge” a traveling exhibition co-curated with Kevin Sampson, which included a recent stop at Danny Simmons’s Corridor Gallery in 2009. Reynolds has participated in every London Biennale since 2000, including the “Pollinations” in Berlin in 2003. In 2008, the Pukis paraded through Paris with London Biennale participants to honor peace in “La Pucelle Puki”.

The Puki Parade will depart from the gallery on 6th August at 6 p.m. and lead spectators and participants back to the gallery for the reception. The artist has make up costumes for those who wish to participate. Participants wishing to honor the ‘Puki’ (meaning vagina in Filipino) may bring their own carnival costumes.
For further details contact Raffaella Losapio at info@studiora.eu, by phone at 0039 06 434180000039 3491597571 or the artist Reynolds at (international code)- 1 917 328 0386.
For further details about the artist, Reynolds, visit her website at www.reynoldsnart.com
studio.ra | 1Fmediaproject
Via Bartolomeo Platina, 1/F - 00179 Roma
Tel. +39 06 43417800  - +39 3491597571;

 

5/25/09

Ebonyjet.com What We Should Be Calling Our New President

Mr. President? Mr. Obama? Obama? Dude?
What We Should Be Calling Our New President
Wednesday, May 06, 2009
By Del Walters
It seems difficult for some to grasp the fact that the 44th President of United States is somehow different than the other 43.  As a result, for the first time in presidential history, there seems to be confusion as to what he should be called. Who can forget the famous moment in Campaign 2008 when John McCain referred to Barack Obama as “that one.” He apologized, but the damage was done.  It was taken as, and should have been, a slight against his opponent.
Somehow ‘that one’ won. Now ‘that one’  Barack Hussein Obama is the 44th President of the United States, and the same people who had difficulty figuring out what to call him are at it again.  They seem to strain with calling him what he is, ‘President Barack Obama’.
We should not believe that all of this is innocent.  The first President Bush had trouble pronouncing the name of his nemesis Saddam Hussein. According to the University of Washington, “Putting the emphasis on the wrong syllable, experts say the first President Bush also converted the meaning of the name in Arabic, from sa-DAM, which means one who confronts, to Sad-um, which means a barefoot beggar.”   At the height of the furor over Minister Louis Farrakhan there was a tendency for pundits to intentionally mispronounce the cleric’s name as “Louie Farra-CAN,” clearly hoping to devalue his standing through informality.
Nothing in Washington happens in a vacuum, or for that matter, by accident. Remember the campaign when much was written about calling Barack Obama, Barack Hussein Obama?  The hard right saw an opportunity to paint the democratic candidate as some sort of ‘Muslim sleeper,’ who was going to take over the United States by raising hundreds of millions of dollars and somehow winning the election. AS As a result, many bought into the myth that somehow Barack Obama was evil.  If you don’t believe me, just tune in to Rush Limbaugh or Sean Hannity on any given day and listen to the callers who still believe that President Barack Obama is anything but Christian. 
To be certain, the erosion of formality in Washington is nothing new.  When I first arrived in this town, almost three decades ago, Senators and other members of Congress routinely referred to themselves as ‘The distinguished gentleman’ from their particular state of origin.  When the tone became nastier, the protocols disappeared as well.   When women began getting elected ‘the distinguished gentleman’ became ‘Senator,’ and in some cases, just the person’s last name.
Miss Manners, the bible on all things proper, explains why the founding fathers chose to call the man who sits in the White House, Mr. President:
“Mr. President,” they thought, had devised the ultimate in casual forms of official address. In contrast to the sycophantic titles used toward European monarchs, which they considered unbefitting a republic of equals, this would give the person holding the highest office no grander an honorific than any ordinary citizen.
George Washington had a different approach. “His High and Mightiness” had rather a nice ring to it, he ventured to suggest. However, ridicule carried the day…and when the first President left office, he made a concession to the American taste for simplicity by decreeing that he would, henceforth, no longer carry the title of President, not even as a mere courtesy.
There could only be one President of the United States at a time, he reasoned, as our newest President also observed during the transition period. But there could be more than one American General, so George Washington let it be known that he would revert to his previously held title and should be addressed as General Washington. We now have four living former Presidents addressing one another as Mr. President, and a citizenry worried that it would be disrespectful to follow George Washington’s rule.”
She continues: “Here, then, is a brief Protocol Primer. The sitting President should be addressed as Mr. President.”
The Associated Press, also weighed in on the issue. In November it declared that: “Effective Thursday at 3 a.m. EST, the AP will use the title and first and family names on first reference: President George W. Bush, not just President Bush; President-elect Barack Obama, not just President-elect Obama; President Nicolas Sarkozy, not just President Sarkozy.”
Which brings us to the issue at hand.  Listen to any Sunday morning talk show, and you will hear the President addressed in a variety of manners, Obama, Mister Obama, but rarely ‘President’ Obama.  It should be noted that the majority of those who are experiencing difficulties with the title often appear from the republican side of the aisle.
Coincidence?
So what are we talking about here?  In a nutshell, respect, or as Aretha so poetically put it,  R-E-S-P-E-C-T.  It is an insult to both the office and the man not to get his title right, and as African Americans we have every right to be upset with anything less than the formality both deserve.
After all, Sojourner Truth, (not “Truth”) struggled for this day, as did the Reverend Dr. Martin Luther King Jr. and not King, or Malcolm X and not just X.  People, white and black, bled and died in the struggle for racial equality in this country and soldiers fought and died on battlefields to preserve it.
It is one thing to mispronounce the names of our enemies, but quite another to mispronounce the names of our leaders. There is only one explanation. Those who are doing the mispronouncing have it backwards.  “Those ones” are the ones we should be concerned about.

rs. There is only one explanation. Those who are doing the mispronouncing have it backwards.  “Those ones” are the ones we should be concerned about.

It seems difficult for some to grasp the fact that the 44th President of United States is somehow different than the other 43.  As a result, for the first time in presidential history, there seems to be confusion as to what he should be called. Who can forget the famous moment in Campaign 2008 when John McCain referred to Barack Obama as “that one.” He apologized, but the damage was done.  It was taken as, and should have been, a slight against his opponent.

Somehow ‘that one’ won. Now ‘that one’  Barack Hussein Obama is the 44th President of the United States, and the same people who had difficulty figuring out what to call him are at it again.  They seem to strain with calling him what he is, ‘President Barack Obama’.

We should not believe that all of this is innocent.  The first President Bush had trouble pronouncing the name of his nemesis Saddam Hussein. According to the University of Washington, “Putting the emphasis on the wrong syllable, experts say the first President Bush also converted the meaning of the name in Arabic, from sa-DAM, which means one who confronts, to Sad-um, which means a barefoot beggar.”   At the height of the furor over Minister Louis Farrakhan there was a tendency for pundits to intentionally mispronounce the cleric’s name as “Louie Farra-CAN,” clearly hoping to devalue his standing through informality.

Nothing in Washington happens in a vacuum, or for that matter, by accident. Remember the campaign when much was written about calling Barack Obama, Barack Hussein Obama?  The hard right saw an opportunity to paint the democratic candidate as some sort of ‘Muslim sleeper,’ who was going to take over the United States by raising hundreds of millions of dollars and somehow winning the election. AS As a result, many bought into the myth that somehow Barack Obama was evil.  If you don’t believe me, just tune in to Rush Limbaugh or Sean Hannity on any given day and listen to the callers who still believe that President Barack Obama is anything but Christian. 

To be certain, the erosion of formality in Washington is nothing new.  When I first arrived in this town, almost three decades ago, Senators and other members of Congress routinely referred to themselves as ‘The distinguished gentleman’ from their particular state of origin.  When the tone became nastier, the protocols disappeared as well.   When women began getting elected ‘the distinguished gentleman’ became ‘Senator,’ and in some cases, just the person’s last name.

Miss Manners, the bible on all things proper, explains why the founding fathers chose to call the man who sits in the White House, Mr. President:

“Mr. President,” they thought, had devised the ultimate in casual forms of official address. In contrast to the sycophantic titles used toward European monarchs, which they considered unbefitting a republic of equals, this would give the person holding the highest office no grander an honorific than any ordinary citizen.

George Washington had a different approach. “His High and Mightiness” had rather a nice ring to it, he ventured to suggest. However, ridicule carried the day…and when the first President left office, he made a concession to the American taste for simplicity by decreeing that he would, henceforth, no longer carry the title of President, not even as a mere courtesy.

There could only be one President of the United States at a time, he reasoned, as our newest President also observed during the transition period. But there could be more than one American General, so George Washington let it be known that he would revert to his previously held title and should be addressed as General Washington. We now have four living former Presidents addressing one another as Mr. President, and a citizenry worried that it would be disrespectful to follow George Washington’s rule.”

She continues: “Here, then, is a brief Protocol Primer. The sitting President should be addressed as Mr. President.”
The Associated Press, also weighed in on the issue. In November it declared that: “Effective Thursday at 3 a.m. EST, the AP will use the title and first and family names on first reference: President George W. Bush, not just President Bush; President-elect Barack Obama, not just President-elect Obama; President Nicolas Sarkozy, not just President Sarkozy.”

Which brings us to the issue at hand.  Listen to any Sunday morning talk show, and you will hear the President addressed in a variety of manners, Obama, Mister Obama, but rarely ‘President’ Obama.  It should be noted that the majority of those who are experiencing difficulties with the title often appear from the republican side of the aisle.

Coincidence?

So what are we talking about here?  In a nutshell, respect, or as Aretha so poetically put it,  R-E-S-P-E-C-T.  It is an insult to both the office and the man not to get his title right, and as African Americans we have every right to be upset with anything less than the formality both deserve.

After all, Sojourner Truth, (not “Truth”) struggled for this day, as did the Reverend Dr. Martin Luther King Jr. and not King, or Malcolm X and not just X.  People, white and black, bled and died in the struggle for racial equality in this country and soldiers fought and died on battlefields to preserve it.

It is one thing to mispronounce the names of our enemies, but quite another to mispronounce the names of our leaders. There is only one explanation. Those who are doing the mispronouncing have it backwards.  “Those ones” are the ones we should be concerned about.

 

5/23/09

The Meaning of Michelle Obama

 

a_wmichelle_nv_0601

 

By Nancy Gibbs and Michael Scherer

It was just two days after the Inauguration when an e-mail went around to Michelle Obama's staff, instructing everyone to be in the East Room of the White House at 3 that afternoon. The First Lady's advisers arrived to find the room filled with ushers and plumbers, electricians and maids and kitchen crew gathered in a huge circle, and Michelle in a T shirt and ponytail, very casual and very much in charge.

"This is my team that came with me from Chicago," Michelle said, pointing to her communications staff and policy people. "This is my team who works here already," she went on, indicating the ring of veterans around the room. Many of the household staff had served for decades; some had postponed retirement because they wanted to serve an African-American President. And so the two groups formed concentric rings and spent the next hour or so making sure that everyone had a chance to meet everyone else. I want you to know that you won't be judged based on whether they know your name, Michelle had warned her advisers. You'll be judged based on whether you know theirs. (See pictures of Michelle Obama behind the scenes.)

The White House became as much Michelle Obama's stage as her husband's even before she colored the fountains green for St. Patrick's Day, or mixed the Truman china with the World's Fair glasses at a state dinner, or installed beehives on the South Lawn, or turned the East Room into a jazz lounge for a night or sacrificed her first sock to the First Puppy. Of all the revelations of her first 100 days, the most striking was that she made it seem natural. She did not spend decades dreaming of this destination, and maybe that's the secret. "I'm not supposed to be here," she says again and again. And ever since she arrived, she has been asking, "What are the things that we can do differently here, the things that have never been done, the people who've never seen or experienced this White House?"

Three generations, two adorable girls and a dog — no First Family has lived with the weight of hope and hype that has landed on the Obamas. Clothes they wear fly off the shelves. Dog breeders from Germany to Australia couldn't keep up with the demand for Portuguese water dogs after Bo debuted. Michelle is the first First Lady to make Maxim's hottest-women-in-the-world list. (She's No. 93; it probably wouldn't be proper for a First Lady to come in any higher.) Cameras with lenses that can count her pores from three states away are trained on her around the clock. Former East Wing veterans marvel at the lovesick coverage she gets: when Oscar de la Renta questions her fashion sense — "You don't ... go to Buckingham Palace in a sweater" — the response is, essentially, Well, what does he know? This is what a paradigm shift looks like. (See pictures of Michelle Obama's fashion diplomacy.)

The question now is what she plans to do with all this attention. We ask the usual questions of any new First Lady: What is she really like? How does she see her role? But it is only of Michelle Obama that we ask, What does she mean? Few First Ladies have embedded themselves so quickly in the world's imagination. And none have traveled so far, not just from Chicago's South Side to the East Wing, but from the caricatured Angry Black Woman of last spring to her exalted status as a New American Icon, as if her arrival will magically reverse eight years of anti-American spitballing, elevate the black middle class, promote family values, give voice to the voiceless and inspire us all to live healthier, more generous lives.

She admits that the sheer symbolic power of the role is perhaps greater than she anticipated. "I tried not to come into this with too many expectations one way or the other," she says on a sunny May afternoon in her East Wing office. "I felt like part of my job — and I still feel like that — is to be open to where this needs to go." She's always shown a shrewd eye for the strategic detour, suspending her career in favor of helping her husband get elected, then getting her daughters settled and her garden planted and, in the process, disarming the critics who cast her as a black radical in a designer dress. She will say she's just doing what comes naturally. But whether by accident or design, or a little of both, she has arrived at a place where her very power is magnified by her apparent lack of interest in it. "Over the years, the role of First Lady has been perceived as largely symbolic," Hillary Clinton observed in her memoirs. "She is expected to represent an ideal — and largely mythical — concept of American womanhood." That was not Clinton's favorite part of the job. Maybe this is Michelle's true advantage: she appears at peace, even relieved, that her power is symbolic rather than institutional. It makes her less threatening, and more potent at the same time — especially since her presence at the White House has unique significance. (See pictures of when Michelle met Hillary.)

The great-great-granddaughter of slaves now occupies a house built by them, one of the most professionally accomplished First Ladies ever cheerfully chooses to call herself Mom in Chief, and the South Side girl whose motivation often came from defying people who tried to stop her now gets to write her own set of rules.

Getting to Know You
Just a year ago, more people had a poor opinion of Michelle Obama (35%) than a good one (30%). During the primaries especially, she was too hot, and not in the way Maxim means it. She talked about America as being "just downright mean," and lazy, and cynical, how life for most people had "gotten progressively worse throughout my lifetime." Seeing an opportunity, conservative critics dubbed her Mrs. Grievance, called her bitter and anti-American, to the point that her husband had to defend her patriotism and call the attacks on her "detestable."

Her portrayal may have been a caricature, but it was also taking a toll. People who traveled with her from the earliest days in Iowa say she was a quick study, receptive to feedback on what was working and what wasn't. She began talking less about the country's problems and more about its promise. By the time the New Yorker parodied the parody of her as a machine-gun-toting revolutionary, she was reintroducing herself at the Democratic Convention as a wife, a mother, a sister and a daughter, listing why she loved her country and why her husband was the man to lead it. (See pictures of Barack Obama's family tree.)

And so the debate about What She Means shifted again, but this time it was feminists wondering if she or her handlers were using the J. Crew twin sets and Donna Reed hair to reassure white voters that "she's just like you." Under the liberal magnifying glass, Michelle was suddenly a victim, forced by her husband's ambitions and society's expectations to tone it down, soften it up, step back. "How will Michelle Obama feel as she becomes what she has long resisted — an extension of her husband?" asked Rebecca Traister in a Salon article called "The Momification of Michelle Obama." She was giving up her job, her $212,000-a-year salary and her independence, which prompted the commentariat to lament the sacrifices she was having to make in terms of her identity. Even her own mother told People that "Michelle had worked so hard to get where she was. I kind of feel bad for her."

Asked about this analysis now, Michelle rejects the idea that she has had to sacrifice at all. "I know women who have given up a lot of themselves," she says. "And there were times in my marriage where I put stuff aside. This isn't one of those times." And she didn't change, she insists; people just had time to get to know her. On the other hand, she brought to the White House a longtime friend and marketing executive who, as social secretary, describes her job as managing "the Obama brand." In any case, by the time she held the Bible for her husband on Inauguration Day, her approval rating had jumped nearly 40 points. And she was just getting started.

Girl Power
After four months in the White House and two years on the campaign trail, she's learned how to help people relax around her so she can get down to business. She makes fun of herself and of her husband, and teases a male reporter about his struggle to accurately describe her outfit during her European tour. "You didn't know you'd be covering cardigans," she says, but that's O.K., since her husband doesn't know cable-knit from argyle either. When she tries to explain why she's constantly hugging people, she reaches out and grabs your arm and holds it. I'd be intimidated too to meet the First Lady, she says. "That's why I'm so touchy with kids, because I think if I touch them and I hug them, that they'll see that it's real, and then they'll relax and breathe and actually kind of enjoy the time and make use of it."

Put her in a room with black teenage girls and her message couldn't be more radical or more all-American: Anyone can be anything if they are willing to work hard enough at it. This is inspiration with an edge. The honors student who wrote her Princeton thesis about being black in the Ivy League knows that the difference between success and failure can be cruelly random. She knew lots of bright kids growing up, she says, "and you slowly see people slipping through the cracks, you know that there but for the grace of God." She had friends who could have thrived in college, but their parents didn't believe in going into debt to pay for it. "I saw kids like me who were using their loan money to help their parents pay the electric bill, and therefore they'd run out of money for books and couldn't feed themselves over the course of the semester ... So I just keep thinking about those kids who are missing opportunities by a hair, by a breath, by a parent, by a teacher, by a dollar amount, and I'm kind of working to make up some of that difference to the extent that I think I can." (See pictures of the civil rights movement from Emmett Till to Barack Obama.)

One of her fantasies during the campaign was that in her White House, famous people wouldn't just come in; they would go out into the community too. So on a cool day in March, she dispatched a regiment of role models to schools across Washington, including singers Alicia Keys and Sheryl Crow, Ann Dunwoody, the first female four-star general, and Mae Jemison, the first African-American woman to travel into space. Michelle visited Anacostia High School, where violence is common and signs on the walls tell students which baby supplies will be available through the Baby Bonus Bucks Redemption Program. She sat with a group of 10 girls and three boys, who had been chosen, she told them, because "somebody in your school thought that you had a lot of potential." She recalled how she had lived close to the University of Chicago but never set foot inside growing up. "It was a fancy college, and it didn't have anything to do with me." Maybe you feel the same way about the White House, she suggested. "There are so many kids like that," she observes, "who are living inches away from power and prestige and fame and fortune, and they don't even know that it exists."

Which is why that night, the women leaders reassembled at the White House for a dinner with more than 100 students from schools across the city to celebrate Women's History Month. Tonight is your night, Michelle told the girls. So don't be shy. "Poke and prod and figure out how [these women] got to be where they are and what you can do in your lives to get yourselves ready for that next step. Tonight we just want to say, Go for it! Don't hesitate. Don't act with fear. Just go for it." Because all the women in the room, she told the girls, see a little bit of ourselves in you.

"It's one of those events," she says looking back, "that stand out in my mind as, This is why I'm here."

See pictures of the fashion of Michelle Obama.

See pictures of people around the world watching Barack Obama's Inauguration.

White House Life
After Barack Obama was elected to the Senate, people asked Michelle if she'd be moving to Washington. "I was like, no," she says. "All my support is the support you build up over the years. It is my mom, girlfriends — you move away from everything." But when he won the White House, Michelle effectively moved her support system with her, not just her mother but old friends who are scattered throughout both the East and West wings. Other longtime Chicago friends are occasional visitors and joined the Obamas for spring break, as they have for the past several years — but this year the gathering took place at Camp David. Among the traditions is a talent show, with everyone required to perform. This year Michelle demonstrated her skills with two hula hoops; Obama and the men sang "You Are the Sunshine of My Life." The visits typically include charades, singing, board games — although now that the Obamas are making use of the White House bowling alley and pool table, the other families tease them by saying they'll refuse to play any games that the Obamas can practice in the new house.

As strange as White House life can be, it is providing Michelle a kind of balance she has seldom known. From roughly the time their first child was born, her husband was commuting to the state capital, the nation's capital or the campaign trail. Michelle all but charged him with abandonment, as he described in The Audacity of Hope: " 'You only think about yourself,' she would tell me. 'I never thought I'd have to raise a family alone.' " (See pictures of the White House kitchen.)

Winning the presidency was the ticket to at least one kind of normality. "Among the many wonderful things about being President," Barack tells TIME, "the best is that I get to live above the office and see Michelle and the kids every day. I see them in the morning. We have dinner every night. It is the thing that sustains me." The President refers to what he calls "Michelle time," when he takes a break during the day and retreats to the residence. Semiregularly, Michelle appears in the West Wing with the dog or their daughters for a brief but lively interruption. The family does "roses and thorns" around the dinner table, with all of them saying something good and something bad that happened to them that day. "And if the kids really, really need to see him, they can," she says. "They're free to walk in. They're welcome wherever they want to go around here." But they can also just ignore him, since they know he's around. "That's been terrific," she says. "It's more normal than we've had for a very long time."

Michelle's day starts at dawn, when she walks the dog and then hits the treadmill; she's had the same personal trainer for about 10 years, who has relocated to Washington from Chicago. There are no regularly scheduled meetings with her staff and never any meetings before the girls go to school. She tells aides which days she wants to be "on"; she can concentrate all her public events into a couple of days a week, leaving her free to sit in a lawn chair at the soccer field watching the girls play. Then there are the parent-teacher conferences, the play, the birthday party, the calls with parents to discuss the sleepover. "Kids force you into a normalcy," she says, "that, you know, it even trumps this [place] in some ways."

The Obamas' marriage has a history of tension around chores: as his career took him away for long stretches, Barack admitted, "my failure to clean up the kitchen suddenly became less endearing." Michelle smiles about this and says, "That's off the table." Now they live in a house with 35 bathrooms and in which all domestic tasks are taken care of. "She thinks it's nice that people play 'Hail to the Chief,' " the President says. "But I still am expected for family dinner on time, and I still have to walk the dog." He gets the night shift, Michelle says. "That's usually right before bed. It's like 10 p.m. We sort of handle Bo like we did the kids. I'm the early-morning person ... Once I go to bed, I don't care what happens. Just make sure the dog doesn't have an accident." She talks about the dog with the smitten tone of a girl who never had one of her own before. She walks him frequently, sometimes every couple of hours. "He's getting to the point where he can be naughty," she says, "like you walk in the room and it's like, 'Where'd you get that sock?' " The family has learned to limit Bo's range of potential destruction by keeping doors closed. "We try to set him up for success," she says with a knowing smile. (See pictures of Bo and other presidential dogs.)

Maybe this is what women watching her covet: not the clothes or the glamour or the glory, but the fact that she seems to be having a blast, in a way Laura Bush and the rest never did. After working hard for 20 years, she gets to take a sabbatical, spend as much time as she wants with her kids, do as many high-impact public events as she chooses and, when it's all over, have the rest of her life to write the next chapter. "I don't even know what that is yet," she says, but she'll have choices then, as she has now, that most working mothers only dream of.

See pictures of Sasha and Malia Obama at the Inauguration.

See pictures of Michelle Obama's style evolution.

Division of Labor
Ask anyone in the East Wing how Michelle sees the role of First Lady and you hear a lot about "supporting the President's agenda." But what happens if she disagrees with her husband about some policy he's embraced? "I'm sure I do what every spouse does," she says, as though their potential disagreements are in any way like any other couple's. "We'll have conversations, and we'll share our opinions over the course of the conversation. But I don't want to have a say. Really, there are a lot of times when I'm like, Don't tell me what happened today at work. I just don't want to hear it, because I want the home space to really be free of that." Unlike in the Clinton White House, when a member of the First Lady's staff was in nearly every important meeting, Michelle does not send an emissary to key policy debates or the 7:30 a.m. meeting in chief of staff Rahm Emanuel's office. But no one who heard her on the campaign trail can imagine for a minute that she doesn't have strong views on many issues, or that her husband doesn't know what they are.

She has dropped some of the traditional baggage that First Ladies have hauled around for eons, passing up this gala or that benefit for the first time since Bess Truman's day and planting her famous garden to teach a lesson about healthy eating. Like all First Ladies, Michelle will at some point do or say something that gets her in trouble, and it won't just be wearing $540 sneakers to work in the food bank, the way she did last month. (See pictures of Barack Obama taken by everyday Americans.)

But in her Technicolor dresses and famously buff bare arms, it's hard not to wonder if Michelle isn't daring us all to just roll with it, to be a little bolder at a time when the country could use all the courage it can muster. "You've got to make choices that make sense for you," she says, "because there's always going to be somebody who'll think you should do something differently." When prodded, she admits with a wry smile that there are moments when she misses her old, anonymous knock-around days. "It's a lot easier to live your life," she says, "when everything you do doesn't have a consequence."

But that path, at least for a while, is blocked. Just before our interview, she'd been out on the South Lawn walking Bo when she took a wrong turn. "We happen to walk past the gate where the visitors were coming, and I heard this 'Yeaaaa! It's Bo!' ... Bo is like, 'Who's calling me?' " She's laughing now at the spectacle of a dog who is world-famous, at a house trafficked by thousands of strangers every day, at a life in which every stroll can become a headline. "I was like, Oh, darn, I should have gone around the other way."

— With reporting by Jay Newton-Small and Karen Tumulty / Washington

Michelle Obama: a new type of First Lady

From The Times

November 5, 2008

 

michelleobama480

Sarah Vine

That rather sad, muffled noise you hear behind the whoops and cheers of Democrat America is not the sound of defeated neocons mourning the passing of trickle-down economics; it is the sound of sobbing in the Élysée Palace. For Carla Bruni, reigning queen of First Ladies, the game is finally up. Cindy McCain would have been a push-over; even Sarah Palin she could have coped with, sexy specs or otherwise. But in Michelle Obama, Ms Bruni has truly met her match. This is a First Lady like none before.

In truth, from the moment Michelle Obama stepped on to that podium at the Democrat convention what seems like, ooh, about three million years ago, we all secretly knew which way this race was going. Sure, he had big, sticky-out ears; sure, all those luvvies made that embarrassing YouTube song about him; but if Michelle thought that he was OK — if she chose him — then he just had to be a good man.

Everything about this woman speaks to the modern, post-feminist woman: she is manifestly clever, independently minded, attractive in a normal, accessible way (and not in a scary, plastic-fantastic Cindy way). Her demeanour is a reassuring mixture of sassy and self-deprecating; her easy, confident dress sense neither too sexy nor too self-conscious. Most of all, however, she appears to be the personification of sanity, a woman who, while clearly supportive of her husband’s quest for world domination, is nevertheless not afraid to point out when he is danger of drinking too much of his own Kool-Aid.

The evolution of the role of First Lady is a fascinating one. Until now, they have essentially been available in two flavours. The first is the meek, supportive grin-and-bear-it model, as exemplified by Laura and Barbara Bush, Nancy Reagan and Mamie Eisenhower. Often Republican, invariably well-coiffed, they seem to simultaneously be at the centre of the action yet a million light years away from power. Often, this impression is grossly unfair. Laura Bush’s favourite writer, for example, is Dostoevsky — not that you would have known it from the press release: too intimidating, too intellectual for the wife of the man everyone wanted to share a Bud with.

The alternative is the two-for-the-price-of-one First Lady. These tend to be ball-breaking Democrats such as Eleanor Roosevelt and Hillary Clinton. They have their own careers, their own lives and their own minds.

There is one exception: Jackie Kennedy. She was pure style, a fashion clothes horse who still, 40 years on, has the power to inspire double-page spreads in Vogue magazine.

What makes Michelle unique is the way she so skilfully unites all three: supportive, independent and a fashion icon. Sarah Palin blew £90,000 on her campaign wardrobe but let’s face it, it is that blue shift dress that we all remember.

In the last American election, the big question was this: who would you most want to share a beer with? In this one, it was more like: who would you like to share a Martini with? The answer of course being Michelle. (Barack could maybe make himself useful by popping out for some crisps.) Michelle is not only invigoratingly intelligent, proud of her urbanity, but also unafraid of showing her abilities. She is certainly the only wife of a presidential candidate I can remember who, instead of playing herself down, played up the general uselessness of her husband in matters domestic — and in doing so not only held her ground intellectually but also reached out to all those women who, while devoted to their spouses, also find them slightly useless in matters of sock-tidying.

Perhaps the most exciting thing about Michelle however is what having a woman lawyer like her in the White House means. For it is not often one can go to sleep safe in the knowledge that there is an educated, intelligent, sensible female voice being heard in the corridors of power.

At the 2004 Democrat Convention in Boston, when the unknown Barack Obama stepped up to the plate to deliver the keynote speech, she famously said to him: “Don’t screw it up, buddy.” One cannot help hoping those words were repeated last night.

Copyright 2009 Times Newspapers Ltd.

5/15/09

Mrs. Obama Visits Students as Motivator in Chief and Kevin has some thing to say about it or course

 

Prince on stage

Kevin says

This woman even more than her husband has restored my faith in America. and in myself.

Every time i see her she ispires me to do more to work harder for my students. I can rarely read any thing about her with out tearing up. Its like watching my mother,my Aunts, my sister, my daughter all rolled into one.

To watch her change into this beautiful, talented, hiper intellegent icon.........is a extraordinary exp.

Perhaps it is her working class back ground

but i believe more firmly than i ever did that changes are coming

and beyond the snipping and politic's

anyone that cant see the possitive effect of this woman presence in the white house

is well

Un American

because she is america

I will meet her one day,.

I have got to tell a story

a few years back  Iwas at a dinner at the a fancy fancy place in new york

it was a dinner Honoring Bill Clinton

and Ossie Davis was the emcee and host

anyway it was a thing given by my friend and Mentor Dean Morton.

He walked me right up to Ossie davis

and introduced me as his friend as his son.

Ossie shook my hand smile patted me on the shoulder

and looked me right in the eyes

The tears started flowing........and he understood and smiled and i slunk away

Why did i cry

it was like meeting the father of the black race

this man who face i had grown up with

this man

who was a strong part of Malcom X

and history

anyway I felt renewed after meeting him

i would surmise that when i meet Ms Obama

and I will one day

that she will see what she sees alot of the time when meeting people her age

her brother, her father

and like Ossie she will understand my tears

bravo

Bravo

I am liking black folks again

i am liking them like i used to in my youth

changes are coming

Mrs. Obama Visits Students as Motivator in Chief

Doug Mills/The New York Times

First Lady Michele Obama reading to third grade students in an after school program in Washington, DC. this week.

Published: May 15, 2009

WASHINGTON — For decades, the divide between the White House and the impoverished black and immigrant neighborhoods in the nation’s capital has often seemed insurmountable. But in recent months, Michelle Obama has become something of a human bridge between the two worlds.

The latest on President Obama, the new administration and other news from Washington and around the nation. Join the discussion.

Mrs. Obama, the first lady, has repeatedly traveled to Anacostia and other neighborhoods rarely visited by the power elite here in an effort to reach out to young people who are struggling to succeed.

She has offered advice to Tiara Chance, the daughter of a part-time cleaning lady, who has long believed that college is solely for the well to do; to Ashleigh Cannon, who lives in a group home and longs for the rhythms of stable family life; and to Akrem Muzemil, an Ethiopian immigrant who has struggled to learn English and to close his ears to the seductive call of street gangs hunting for recruits.

To the students she counsels, Mrs. Obama’s gilded life in the White House is almost unimaginable. But in their stories, friends and relatives say, the first lady hears the echoes of her own struggles as a working-class girl on the South Side of Chicago.

While Mrs. Obama’s parents pushed her to achieve, she says teachers, counselors and classmates often questioned her abilities and potential. Today, when she speaks to black and Hispanic teenagers, she often shares her own memories of feeling like an outsider, disconnected and doubted in a community that was largely isolated from the centers of power.

On Saturday, the first lady is expected to again use her life story to illuminate the possibilities open to young people when she delivers a commencement speech at the University of California, Merced. Seventy percent of students there are members of minority groups, and half are the first in their families to attend college. Her aides say she will tell them what she tells students everywhere: that success, even against the odds, is possible with hard work and stubborn determination.

“I know that there are hundreds of kids like you across the country, who some people underestimate,” Mrs. Obama told students at Anacostia Senior High School in March in a theme she is likely to echo on Saturday.

“I ran into people in my life who told me, ‘You can’t do it; you’re not as smart as that person,’ ” she said, “teachers who would tell you, ‘Oh, you can’t go to Princeton,’ or, ‘You’re not smart enough to do this,’ or ‘You can’t make the honor society.’ ”

“That never stopped me,” said Mrs. Obama, who graduated from Princeton and Harvard law school and became a hospital executive. “That always made me push harder.”

Of course, reaching out to the underprivileged is nothing new for first ladies. And focusing on schools is a safe choice for Mrs. Obama, who has carefully steered clear of controversy.

But Mrs. Obama, the first African-American first lady, is also among the first to emerge from the urban working class, historians say. Her parents never attended college and rented an apartment when she was growing up. At Princeton, she wrote in her senior thesis, she sometimes felt “like a visitor on campus, as if I don’t really belong.”

Mrs. Obama feels so strongly about dispelling such doubts among young people that she came close to tears last month as she addressed a girls’ school in London. Aides said she saw something of herself in the faces of the immigrant girls in the audience.

“She wants to help those who were like she was,” said Craig Robinson, her brother. “She is focused on telling them they can make it.”

So she greets students with high fives and hugs, jokes and straight talk. She tells them to do their homework, to listen to their parents and to do their very best, even when no one is watching.

She cheerfully answers questions about her makeup, her daughters and her new dog. And she tells them she never cut class, and was proud of being smart, even when it was not cool.

“There were kids around my neighborhood who would say, ‘Ooo, you talk like a white girl,’ ” Mrs. Obama said. “I heard that growing up my whole life. I was like, ‘I don’t even know what that means.’ But you know what? I’m still getting my A’s.”

The students welcome her with astonishment.

At Anacostia High, where children walk through metal detectors every day and only 21 percent of students read proficiently last year, Tiara Chance, 18, was surprised that Mrs. Obama had decided to visit.

“We don’t deserve it,” she said. “People are fighting and cussing all the time around here. Who would want to be around that?”

At Mary’s Center, a health clinic that serves a predominantly immigrant community, Akrem Muzemil, 16, who dreams of becoming an engineer, asked the first lady flat out, “Like, why did you want to come out here to meet us?”

Mrs. Obama told him, “I think it’s real important for young kids, particularly kids from communities without resources, to see me.”

Her office sends signed photographs to the children she has met and has invited some, including Akrem, to visit the White House. And her aides responded affirmatively when Jasmine Williams, a high school senior from a crime-ridden neighborhood, invited the first lady to address her graduation from a charter school dedicated to math and science.

Jasmine burst into tears when she heard the news. For many of these children, Mrs. Obama has provided an incredible boost.

Tiara said Mrs. Obama persuaded her to go to college, though she had not applied yet. Akrem said he was working harder in school. Ashleigh Cannon, 17, said the first lady persuaded her to ignore negative voices.

“My father says, ‘You’re not going to make it,’ ” Ashleigh said. “I just got to set it aside.”

It is impossible to know whether the impact of these encounters will be fleeting or transformative. But Mrs. Obama hopes some will cast aside doubts, as she did, and push for their dreams.

At a school’s celebration of Cinco de Mayo this month, the first lady urged students to get to know the Capitol and the White House.

“That space is your space,” Mrs. Obama said. “It’s your democracy, as much as it is anyone else’s.”

4/5/09

What a day saturday was hanging with my cousins the Doctors..........

 

DSC03532

my cousins at the hospital in Elizabeth to VIsit my Uncle Othello...............cousin Benda, Darrolyn and Jessie

 

What a day Saturday was, it was bittersweet but still a great day.

I got to hang with three of my favorite folks, my cousins, Dr Darrolyn MCarroll

who is not only my first cousin but a best friend,

Darrolyn is an extraordinary woman who

is oh so smart in both the books and in life.

She was raised along with me and my siblings, Darrolyn is my other sister.

Anyway funny unpretentious woman who after having some health issues is changing her life to do something creative.

Hopefully along with me………………anyway

Where was I

My cousin Dr. Jessie McCarroll

DSC03530

a music genius now in his seventies but still going stronger than me……by the way

Jessie is the brother of Jessica my wonderful cousin who I got to spend some great time with in Alabama.

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Jessie moved to New York from the south long ago he is a New Yorker living downtown for many years

His life is music, and Colombia U, art and people or so I figure, because the fruit never falls far from the tree.

Anyway we had to go to my cousin Virginia apartment in the senior citizens home in Rahway New Jersey.

Cousin Virginia McCarroll by the way was my earlier mentor; she is now 93 years old and had to be placed in managed care. Virginia was the strongest woman I have ever known. She was a lab tech and lived on riverside drive for many many years in New York. This woman actually went to France in the 1930’s to become an artist. She is from born in the south but was a New Yorker for sure. She speaks several languages to this day like my Deceased Uncle Raleigh McCarroll, who by the way was a interpreter at the Nuremberg trials in Germany he spoke at least 5 languages.

Anyway Virginia………I feel so bad because for so many years she had been an every week part of my life.

When I got married she came by my house at least three times a week. Made me plant a garden over saw it, made me fix things around the house. Ok she fixed them.

The over the course of the past ten years I have sorely neglected her. These are these things that make for guilt and baggage. Life got in the way and ……………you know the rest

So here I was in her apartment with my cousins, Jessie is like his sister brilliant. Funny and more.

He has traveled all over the world with his group the Pan African Society for musical arts Education.

What a guy what a family

What happened to me………………duh

Virginia sold at the Englishtown flee market for a half a century.

As a child I would often accompany here, jersey boy here

She was strong as any man, and Virginia wore her hair in an afro in the 1940’s until.

She wore African garb from time to time and had visited Africa on more than one occasion.

I often speak about my father being the first afro centric in America; I don’t know I think Virginian might have been first.

She could out work any man, was smarter than most men and didn’t take shit from any one.

Loved this woman

Virginia was into healthy living before any one

She laughed in a high pitched cackle

That made us children calls her the witch

She didn’t mind at all

She practiced stone magic and more

And guess what I found her magic bag and voodoo dolls for a lack of better name

I found animal paws in glass

This apartment was crammed packed with more than I can describe

A virtual museum of African collectables, memoribia, slide movies cd.

What a place

What a woman

Ok I haven’t been around the help here as much as I should have been

But I got to spend some quality time with Jessie, Darrolyn and Darrolyn wonderful daughter Kim,

Who lives with the other light of my life

Aunt Vernell Oliver (McCarroll on fifth ave in New York

 

Kim is a lot like me in her love of new York and the night

Ok so we stopped at a Brazilians restaurant

Hey right underneath my apartment

The food was great and Jessie spoke to the staff who is my friends

About his numerous visits to Brazil.

In any case what a day

What a family

I just realized when I wrote this that woman the woman in my family were the ones that made me a artist

The men might have gave me subject matter

But it was the woman perhaps understanding how hard it is to become what you want

Were the ones the encouraged me and protected me from the men who thought

That art was a …………………….unmanly thing

Man

Woman

My cousin Virginia has all of my early work

Which I just recovered

She spent time in Haiti and when I was perhaps 15 and did my first real painting

She commented that I painted like a Haitian

That was way over my head

But now when I gaze at this work I can see it

When I became a cop

My mother one day out of the blue

Said take a ride with me to the post office, in Elizabeth

I did

She went over to the FBI wanted board of criminals

And pointed out a Police composite sketch

She said that if you have to become a cop

Become a police composite artist

It was over my head until years later

My chief of Police called me in to congratulate me on my arrest record and Job performance

Their was a slot open in the detective bureau and all of the senior officers

Recommended me for the slot

But that was not to be until about five years later

Anyway the Chief asked me to name the kind of specialized training

That I wanted

My mother popped in my head

I want to be a police composite artist

And you know what he sent me to that school

And the rest is history

Where was I

Thanks mom

Woman

Later when I graduated from composite art school

I remember having to pull over on the New Jersey turnpike

To cry and thank my mother for her vision

My Aunt Vernell encouraged me

Brought me paints

And introduced me to Jacob Lawrence and Romaine Bearden

Long long ago

She owns two or three beardons by the way

She hung with the guy

My Sister Donna

DSC02734

Best friend

Another amazing woman

Smith Graduate and genius…project manager……………….woman

My daughter

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Son Jason and Daughter Lauren

Annual funds manager at the Cooper Union in New York

My all time best student

this daughter of mine

Anyway

Woman

Cant forget my Step Mother, Mother, Friend and the ones that hold me together

Gran Ruby

who is also from Alabama

God my family is from Alabama

what a fine group of people

God no wonder I used to have complexes

Anyway

McCarroll Family

Bravo

Bravo Family

And please check out my cousins stuff below

Genius, Genius…………

It humbled me just looking at Jessie's life and education

Dr. Darrolyn McCarroll-Lindsey MD

Internal Medicine Physician - Franklin, Massachusetts

Dr. Jesse C. McCarroll

African American Studies

Professor Emeritus of Music

Dr. McCarroll currently teaches as a part-time faculty member in the African American Studies Department. He teaches African American/Caribbean Music. Previously, he taught Jazz in the Humanities Department.

Publications:

  • Jesse McCarroll and Marvin S. Adler, Elementary Music Teachers Almanack, Parker Publishing Company.
  • Jesse McCarroll and Marvin S. Adler, Timely Lesson Plans for Every Day of the School Year and Making Music Fun, Parker Publishing Company.
  • Jesse McCarroll (Contributing Author) Teaching Jazz: A Course of Study, published by the International Association of Jazz Educators and Music Educators National Conference.

Scholarly Accomplishments:

  • June 1999
    Educator of the Year Award by the Association of Black Educators of New York.
  • May 1999
    Performance Excellence Award, New York City College of Technology of The City University of New York, (CUNY)
  • 1987
    CUNY Scholar
  • 1984
    Scholar on Campus, New York City College of Technology.
  • May 1, 1982
    Piano recital, formal opening of the Saenger Performing Arts Center in Hattiesburg, Mississippi, and was given the "Key to the City."

Dr. McCarroll studied piano with Friedrich Wuhrer at the Mannheim School of Music, Mannheim, Germany; Marianne Matousek Mastics at the Cleveland Institute of Music; and Thomas Richner and Martin Canin, in New York City.

Under the auspices of Operation Crossroads Africa, Dr. McCarroll performed in a quartet on a tour of eight countries in West Africa. Special performances were given for the presidents of Mauritania, Liberia and Ghana. In addition, Dr. McCarroll has given numerous performances in the United States. He has been honored by the Black Music Caucus of New York and by the National Black Music Caucus of Music Educators national conference. Dr. McCarroll is on the Curriculum Committee of the International Association of Jazz Educators.

Degrees:

1/13/09

Is being Black out or in Obama and a changed view of and by the world

I had the most interesting
Funny discussion at the outsider fair
About black people in general.
It was pointed out in a laughing way
By my selve and others that black people are out.
That we are no longer exotic, or rare or mysteries.
I agree up to a point
Obama has affected every thing
But in a good way
It will affect how black art work is viewed
This Obama thing
But we were wrong and I knew it
As I opened my mouth
My prediction
Is that their will be a more serious scrutiny of African Americans
Because of Obama
In fact black will become big time in
Just not the old black
The world will try to understand this new silliness
Post black
No such thing
You can see on CNN
That they have added the comic dl hugely.
My perception is that he is a cool guy that talks the talk
And that can want to draw in not only blacks
But to let white get used to they way black talk and laugh and think
Black talk and walk is different but still American
It is the foundation of American hip
Do you know what I mean?
My prediction for the self taught art field
Is that it will now leave being stuck in old blacks from the south
It was take a more honest look at northern African Americans
And will let some of us northern Negroes in
The world now needs interpreters more than ever
So it can understand
Obama
Every time I hear they talk
About how cool he is
I think of how silly that is
To say that
He is a black guy
Cool is learned and practiced
And a given
We practice the way we walk and talk
And all of that
Or at least we used too
Obama
He couldn’t act any other way
He walks like a black guy that plays ball
It’s easy to see
He has the good sense this Obama
To utilize all resources
He is doing soul food
A little of this a little of that
With him it’s not about ego
He know he is smart
He knows who is smarter
Obama is a promoter
With a vision of his client
This vision will help him
Will steer him
So in closing
Black has never been more in
Just a different type of black
Thank you Jesus
Watch and see
Black is not out by far
Ghetto black is out
Shaking your ass is out
Ebonics is out
We can be what are really are now
Americans
Out, my ass
Smart Is in
Obama is cool
Like Malcolm was cool
Yes cool Like that
Get it