The art of Kevin Blythe Sampson

THE ART OF
KEVIN BLYTHE SAMPSON

10/26/10

'For Colored Girls': Just 'enuf' Tyler Perry goes a long way

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'For Colored Girls': Just 'enuf' Tyler Perry goes a long way


'For Colored Girls': Just 'enuf' Tyler Perry goes a long way

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From left to right: Anika Noni Rose (as Yasmine), Kerry Washington (as Kelly), Janet Jackson (as Jo), Kimberly Elise (as Crystal), Phylicia Rashad (as Gilda), Loretta Devine (as Juanita), Tessa Thompson (as Nyla) and Thandie Newton (as Tangie) in 'For Colored Girls'. (Photo credit: Patrick Harbron)

Janet Jackson plays Joanna, a Devil Wears Prada-style magazine editor with a husband full of secrets; Whoopi Goldberg portrays Alice, a religious fanatic with two daughters played by Thandie Newton, taking on the role of the Tangie, a beautiful woman who uses her sexuality as a weapon; and Tessa Thompson, who plays Nyla, a good girl who slips up. Kerry Washington portrays Kelly, a social worker whose momentary neglect of a case ends horribly; Anika Noni Rose is Yasmine, a dance teacher who puts her trust in the wrong man; Kimberly Elise plays a battered woman, trying to hold it all together on the outside as her life spins out violently out of control; Phylicia Rashād plays the tough but nurturing Gilda, and Loretta Devine is Juanita, the character who finally gets up enough courage and self respect to makes sure no man walks away with all of her "stuff."

Singer and occasional actress Macy Gray turns in a chilling supporting performance, as do Michael Ealy and Khalil Kain. There are also solid performances by Omari Hardwick, as Jackson's shady husband and Hill Harper, who plays the films only upstanding guy. (Men, do not expect your egos to get stroked here; it's just not that kind of party.)

WATCH STARS DISCUSS THE FILM WITH theGRIO'S TODD JOHNSON:

VIDEO shot by Alex Presha

For Colored Girls is the first time Perry has adapted another playwright's work and in fact, this film doesn't look or feel like any of his past work. It definitely has more artistic gravitas than his previous films, save Precious which he co-produced with Oprah Winfrey. The film deals with many thorny and painful issues, and in his favor here is the fact that Perry is no stranger to pain. By now everyone has heard of his abusive childhood and how he used words as a way to heal; this healing process comes across in his direction. He is also very well connected to his female audience and this gives him a great advantage when conveying some of the key messages in Shange's work.

This is what works. Perry extracts some breathtakingly brilliant performances from his actors, in particular Anika Noni Rose, Kimberly Elise, and newcomer Tessa Thompson. Loretta Devine is a force of nature and Goldberg, Newton, Jackson (whose voice sounds so eerily like her brother Michael's at times),and Rashād more than hold their own in this ensemble piece. Perry draws the best out of his actors and for that he deserves commending.

What doesn't work so well, and this is a big flaw in most of Perry's film, is that he doesn't know how to, or chooses not to, take the melodrama down a few notches. Subtlety is not his strong suit and at times the film overwhelms with back to back horrors that are so intense, they beg the question: Can a sister get a break? While the pages of Ntozake's poem allow for silent reflection and breathing space between the pain, Perry's celluloid version often comes across as a visual and an emotional assault.

I wish that it had been toned down; the impact still would have come across. While it is impossible not to, It is almost unjust to compare Shange's original to Perry's version. One must appreciate the diversity of each, knowing that the second has been plucked lovingly from its source and been gifted to a new generation of women, and men, who will hopefully take in the messages and pick up for the play, whether for the first, second, or third time, to get a more fully dimensional experience.

Is Perry's film perfect? Of course not; the bar on this one is very, very high. But here's the thing: by giving us the chance to bask in the presence of the gorgeous and powerful words of Ntozake Shange interpreted by of some of our most gifted actresses makes For Colored Girls a hot ticket -- enuf said.

'For Colored Girls': Just 'enuf' Tyler Perry goes a long way

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