ari Ward • Re-Presence" to open at Nerman Museum
05/19/10
"Nari Ward • Re-Presence" to open at Nerman Museum
![]() Nari Ward Radha Liquorsoul, 2010, 10.5 x 2 x 2.5 feet Metal and neon sign, PVC tube with artificial flowers, shoelaces and shoe tips Courtesy of the Artist and Lehmann Maupin Gallery, New York, NY |
![]() Nari Ward |
![]() Nari Ward |
Born in St. Andrews, Jamaica, in 1963, Ward has been included in the 2008 Prospect.1 New Orleans Biennial, 2006 Whitney Biennial in New York and in Documenta XI in Kassel, Germany in 2003. Ward is currently working on a solo exhibition to be presented at Mass MoCA next year.
Known for dramatic sculptures made from discarded materials found in urban neighborhoods, Ward's works most often comment on issues related to consumer culture, poverty, race and, most recently, support for those with physical and mental illness. Using a sense of irony and irreverence, he suggests a point of view, poses a question or tells a story. Writers have compared him to a modern archeologist who uses salvaged materials - television sets, plastic bags, liquor signs, grocery carts, oil barrels and fake luxury goods - to interpret the history and emotions attached to those "recycled" elements.
Since 2000, Ward has lived and worked in Harlem, collecting the neighborhood's discarded clothes and trash for use in his work. Included in Re-Presence are various signs that Ward has gathered and repurposed. A Chase Bank banner is morphed into AfroChase, replete with hair picks and cowrie shells. Massive neon signs that originally promoted "LIQUORS" now glow with a single pronouncement - SOUL. And a monumental installation Airplane Tears utilizes wall-mounted



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